A good example of this is when she compared Miia's swimming skills to an eel in Chapter 17 without realizing that this comparison can also be viewed as an insult. Another example is that when Rachnera bound her and the other girls for getting too intimate with a shapeshifted Suu, her expression showed a kind of enjoyment.Īlthough Mero is a very friendly person, she can sometimes be noticeably tactless towards the feelings of others which leads to her offending others without wanting to. Afterwards, she is seen collapsed on the floor smiling about it, despite foaming at the mouth. It is implied that she is a masochist, since after eating some of Miia's cooking, it brought to mind her fins painfully splitting apart into legs.
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After voicing her full interest in courting Kimihito, it is revealed that she also wishes to be in a somewhat open relationship where Miia is Kimihito's side girl, a different kind of tragedy from her earlier wishes. However, after seeing Miia and Kimihto have an intimate moment, Mero started to realize her fantasy may not be so fulfilling in real life as she thought it would be.
She loves to be a victim of tragedy in general, whether it's unrequited love, her lover dying, or herself dying and leaving her lover behind. After realizing that this isn't what she truly wants, she now wants a "happily ever after" much like in the more modern adaptations of the same story. Due to her mannerisms, Centorea (correctly) believes she might be of noble or royal lineage.Īs a young girl, she had a fascination with the "tragic love" story of Hans Christian Andersen's The Little Mermaid, and wants to experience it in real life, even up the point of turning into sea foam. Mero has a very warm and friendly personality and is always very polite. Recently her mother had bought Meroune a state-of-the-art motorized wheelchair, though Meroune did not want it. Since her lower-half is unsuitable for traversing land, she normally gets around on a wheelchair, with Kimihito or the other girls pushing her. However, when in private company or in the water, she merely wears a bikini. When outside or in public company, she usually dresses in a gothic lolita style, with a barrette having seashell designs on both sides and her tail is usually covered with a dress. To allow her to survive underwater, she has gills on the side of her torso and webbed hands. As a Mermaid, she has a pink fish-tail with pelvic fins rather than legs. It was the eldritch scurrying of those fiend-born rats, always questing for new horrors, and determined to lead me on even unto those grinning caverns of earth's centre where Nyarlathotep, the mad faceless god, howls blindly to the piping of two amorphous idiot flute-players.Meroune is an attractive, well-endowed young woman with blue eyes, fin-like ears and long light-pink hair, which is separated in four strands curled into drills on their lower parts, with two in front of her shoulders and other two at her back. And where Nyarlathotep went, rest vanished for the small hours were rent with the screams of a nightmare. Men advised one another to see Nyarlathotep, and shuddered.
He spoke much of the sciences – of electricity and psychology –and gave exhibitions of power which sent his spectators away speechless, yet which swelled his fame to exceeding magnitude. Into the lands of civilisation came Nyarlathotep, swarthy, slender, and sinister, always buying strange instruments of glass and metal and combining them into instruments yet stranger. He is horrible - horrible beyond anything you can imagine - but wonderful. Don't fail to see Nyarlathotep if he comes to Providence.